Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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De Scott Evans
Erdnusse

ID: 45397

De Scott Evans Erdnusse
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De Scott Evans Erdnusse


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De Scott Evans

1847-1898 was an American artist who worked in Indiana, Ohio and New York. He was known for portraits, still lifes, landscapes and other genres. Born in Boston, Indiana to David S. and Nancy A. (Davenport) Evans. His father was a physician. Evans changed his signature to D. Scott Evans and later to De Scott Evans. He also signed paintings with the names David Scott, S. S. David, and Stanley S. David. He attended Miami University's preparatory school in the 1860s, studying with professor Adrian Beaugureau at Miami and later in Cincinnati. In 1873, he became head of the art department at Mount Union College and after several terms there, he moved to Cleveland to teach and to paint. From Cleveland, he moved to New York. He died along with 500 other passengers and crew, including his daughters when the French steamer La Bourgogne was rammed by a sailing ship in July 1898. Though he died at sea, there is a marker for him and his daughters in the Oxford Cemetery in Oxford, Ohio.  Related Paintings of De Scott Evans :. | Susanna and the Elders | Charles I King of England Hunting (mk05) | The Voluntary Subjugation of the Provinces | Gilles | oil on canvas, painted by Chester Harding. |
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1868-1945 was a United States painter who specialised in coastal views. Born in Germany, he emigrated to the U.S. and settled in Laguna Beach, California. He was a founding member of the California Water Color Society.
Giuseppe de nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,






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